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You run the show: the stage, the screens, the run of show and the person calling cues from the back of the room. Clients remember the moment the keynote started on time. Flo writes the project case studies, crew spotlights and capability pages that show your work to the next agency or corporate buyer.
Much of your work happens for an agency or a planner, under someone else's name. The marketing has to make your part visible without straining that relationship.
Your part of the show, made visible.
A full crew, credited to someone else
Production companies deliver under the agency's or the planner's name. The show succeeds and the credit goes up the chain. The website shows gear lists, not events, and buyers comparing production partners cannot see what you have run.
White Label Work
Your shows credited to the agency that hired you.
Gear Lists, Not Shows
A website of equipment instead of events.
Crew Nobody Knows
Show callers and technicians unseen outside the room.
Silent Until Proposals
Past clients hearing from you only at proposal time.
Four apps, one crew, every show
Flo drafts from your show notes and approved photos, and you approve.
MoSocialShow Recaps
The stage, the screens and the load in, as approved.
MoBlogsCapability Case Studies
General sessions, launches and galas, written for buyers who search.
MoMailAgency And Planner Updates
New work and new gear sent to the partners who hire you.
MoReviewsReplies For The Company
Reviews answered, with the crew credited.
What it publishes across the show year
Built around conference season, holiday galas and the months buyers choose partners.
- Jan to Mar
Conference Season
General sessions and trade show work.
- Apr to Jun
Launches And Awards
Product launches and award shows.
- Jul to Sep
Partner Selection
Case studies while buyers choose partners for next year.
- Oct to Dec
Galas And Holidays
Year end events and company parties.
What MoFlo accounts in other industries have measured
Other event and creative businesses we set up differently
An independent event planner working alone runs a different setup, so it does not get this page.
Marketing by company size
The same platform, framed by how many shops, studios or crews you run, not by the date on the contract.
You have questions. We have answers.
The five that come up before an event production company signs.
We work under agencies. Can we still post?
With their approval, yes. Many agencies let partners show work after the event, sometimes without the client name. The Knowledge base records each agreement, and drafts follow it.
Should we post gear?
Some, as it relates to shows. Buyers care what the gear did, so drafts show equipment in the context of an event rather than as a list.
How do we reach corporate buyers directly?
LinkedIn and email, with case studies. An events manager choosing a production partner wants to see a show like theirs, and a case study per event type gives them one.
Can posts credit our crew?
Yes. Named show callers, engineers and designers give buyers confidence and help you recruit freelance crew for the busy months.
How are event production companies priced?
MoMail is $79/mo and MoReviews $99/mo. MoSocial and MoBlogs are $149/mo each, and all four together are $299/mo, free for a week and no contract. A company with a year of shows to write up often starts with MoBlogs.
Sources
- Arizona Auditor General, Phoenix Convention Center Economic and Fiscal Impact Analysis Update prepared by HVS, 11 June 2026, qualified events held in 2025, read 29 September 2026. Phoenix only.
- Bureau of Labor Statistics, Quarterly Census of Employment and Wages, NAICS 561920 convention and trade show organizers, private, Nevada, 2025 annual average, read 29 September 2026. Nevada only; employer establishments only.
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